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and the deliciously-named “Let Me Hit Whitney Houston’s Last Joint” revisits the kick-off track and has an unmistakable Country Teasers piss rivulet running right through it—snatches of piano and some fever dream’s idea of what country & western music sounds like in the waiting room for Purgatory
The men of Salt Lick came together over a collective disdain of the castrated rock they’d been hearing and wanted to toughen things up a bit
Unheard and early versions of tracks are a lovely bonus to this already evocative and varied work which marked the last time The Clash (proper) would record
in as much as there's more electricity and pedals being employed
everything had meaning
MARS - Rehearsal Tapes and Alt. Takes NYV 1976-1978 3LP synth and the deliciously-named “Let MeLimited edition of 100 copies on triple silver colour vinyl. Before No Wave there was China and after China there was MARS. For the first time on vinyl, an incredible document from this era. The Rehearsal Tapes are a chronological record of the 3 years of Mars' existence, the first year of which was spent forming their sound and musical identity, starting out with a lineup of upright piano, bass, acoustic guitar and percussion before going electric
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